Showtime renewed its hit series Penny Dreadful for Season 3, much to fans’ delight. The next season will begin next may the 1st in England it was filmed in Dublin for nine episodes, and part in Almeria (Spain) The series stars Josh Hartnett, Eva Green and legend Timothy Dalton.
PENNY DREADFUL SEASON 3 | EVA GREEN ON VANESSA IVES
Penny Dreadful is a period piece filled with literary monsters like Dracula and Frankenstein. It’s man vs. monster and almost guaranteed to give viewers nightmares. The show has been a huge success for Showtime both on air and in DVD sales. (Clic on the picture below, and find out photos from the filming)
The success of highwaymen and gothic tales
The bloods were astonishingly successful, creating a vast new readership. Between 1830 and 1850 there were up to 100 publishers of penny-fiction, as well as the many magazines which now wholeheartedly embraced the genre. At first the bloods copied popular cheap fiction’s love of late 18th-century gothic tales, the more sensational the better, ‘a world,’ said one writer, ‘of dormant peerages, of murderous baronets, and ladies of title addicted to the study of toxicology [the study of poison], of gipsies and brigand-chiefs, men with masks and women with daggers, of stolen children, withered hags, heartless gamesters, nefarious roués, foreign princesses’.
Penny dreadful, The Flying Dutchman
Early penny dreadful The Flying Dutchman, or, The Demon Ship is distinctly influenced by 18th century Gothic, 1839.
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The first ever penny-blood, in 1836, was Lives of the Most Notorious Highwaymen, Footpads, &c., in 60 numbers. Highwaymen remained a favourite. Gentleman Jack was published over four years, without too much worry for historical accuracy or continuity. (One character was, rather carelessly, killed twice.) Dick Turpin was a great favourite. His story, and especially the time he (supposedly) rode the 200 miles from London to York overnight, was retold endlessly. In Black Bess; or, The Knight of the Road, Turpin was not executed until page 2,207.The illustrations were an essential element, as much an advertising tool as art. One regular reader said, ‘You see’s an engraving of a man hung up, burning over a fire, and some…go mad if they couldn’t learn what he’d been doing, who he was, and all about him.’ It is not surprising, therefore, that one publisher’s standing instruction to his illustrators was, ‘more blood – much more blood!’
Front cover for an issue of penny dreadful Black Bess or The Knight of the Road, estimated 1866-68.
Slums, true crime and detectives
The most successful penny-blood, and what might possibly be the most successful series the world has ever seen, Mysteries of London, first appeared in 1844, written by G W M Reynolds. He based it on a French book, but it soon took on a life of its own, spanning 12 years, 624 numbers and nearly 4.5 million words . Instead of highwaymen, this series was much closer its readers’ own lives, contrasting the dreadful world of the slums with the decadent life of the careless rich.
Penny dreadful, The Mysteries of London
The Mysteries of London, the most successful penny dreadful, drew inspiration from the streets of London, 1849.
The String of Pearls; or, the Barber of Fleet Street
Mrs Lovett’s pie shop from The String of Pearls, the original story of Sweeney Todd, estimated 1850.
Soon, however, it was the pursuers, not the murderers, who took centre-stage. In 1865, a 70-part penny dreadful, The Boy Detective, or, The Crimes of London, appeared, with its hero, Ernest Keen, who runs away from home and works for a police inspector, ‘so cleverly that the fly coves called him the BOY DETECTIVE!’Penny-bloods had originally had a broad readership, but in the 1860s the focus narrowed, and children became the main target. There were dozens of titles – The Wild Boys of London(1864–66), The Poor Boys of London (c.1866), even The Work Girls of London (1865).
Penny dreadful The boy detective or, The crimes of London depicting a burglary, 1866
As Mrs Braddon herself said, ‘the amount of crime, treachery, murder and slow poisoning, & general infamy required [by my readers]…is something terrible’. Yet it was precisely these ingredients that led the way to the ‘sensation’ novel. Mrs Braddon’s Lady Audley’s Secret, or Wilkie Collins’ The Woman in White picked up on the high melodrama of the penny dreadful scenarios, but instead of highwaymen, or pirates, or gothic dungeons, tucked them all neatly away under a tidy domestic façade that reflected those of its middle-class readers, creating a new genre out of an old form.
Penny dreadful, The Black Band
Penny Dreadful issue #1
Script: Krysty Wilson-Cairns
Artist: Louie De Martinis
Ongoing – 32pp – FC – $3.99 – On sale: 04/05/2016The hit TV series is presented in comics for the first time and the covers of issue #1 have been released! This prequel reveals the terrifying events that led Vanessa to try and find her missing childhood friend, Mina Harker, and exposes the true nature of the vampiric monsters infesting Victorian London. Beautifully realized by Louie De Martinis, and written by the scriptwriters of the hit show!
Penny Dreadful #1 comes with six covers to collect:
COVER A: Guillem March
COVER B: Ben Templesmith
COVER C: Louie De Martinis
COVER D: Will Brooks (Photo)
COVER E: Will Brooks (Photo)
COVER F: Blank Sketch
Created, executive produced and written by Academy Award nominee John Logan, the « Penny Dreadful » television series follows Vanessa Ives (Eva Green), Ethan Chandler (Josh Hartnett), Sir Malcolm (Timothy Dalton), Sembene (Danny Sapani) and Dr. Frankenstein (Harry Treadaway) as they band together to take down the supernatural threats set upon their destruction. All the while, classic literary characters like Dorian Gray (Reeve Carney) and the Creature (Rory Kinnear) fight their own battles.
« Penny Dreadful » #1 arrives in stores on May 4.
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